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Sep 24
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Sixties Surreal is an ambitious, scholarly reappraisal of American art from 1958 to 1972, encompassing the work of more than 100 artists. This revisionist survey looks beyond now canonical movements to focus instead on the era’s most fundamental, if underrecognized, aesthetic current—an efflorescence of psychosexual, fantastical, and revolutionary tendencies, undergirded by the imprint of historical Surrealism and its broad dissemination.
Sixties Surreal recontextualizes some of the decade’s best-known figures alongside those only recently rediscovered. The exhibition gathers a range of works by artists including Diane Arbus, Lee Bontecou, Franklin Williams, Nancy Grossman, David Hammons, Linda Lomahaftewa, Mel Casas, Yayoi Kusama, Romare Bearden, and Louise Bourgeois, among others. In the 60s, many of these artists sought new strategies for connecting art back to a lived reality that seemed increasingly unreal due to rapid postwar transformation and the social, political, and technological upheavals of the later part of the decade.
At the Whitney, Sixties Surreal will attend to the ways in which historical Surrealism of the earlier 20th Century laid the groundwork for a kind of vernacular surrealism in the 1960s—particularly in America, as cascading social and political changes affirmed that life, itself, is surreal. The way in which artists working across the country—from New York and Philadelphia, to Chicago, Houston, Los Angeles, and the Bay Area—beheld and reimagined this reality will be among the exhibition’s central concerns, while also mirroring the sociopolitical extremes in which artists of the present find themselves working. The exhibition's title, Sixties Surreal, states the show's straightforward historic parameters while suggesting a new take on that history.
